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Books > Arts & Photography > Architecture > Criticism > 0262661136
  1. Architectural Representation and the Perspective Hinge (MIT Press)
    Architectural Representation and the Perspective Hinge (MIT Press)
    Architectural Representation and the Perspective Hinge (MIT Press)
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  2. Architectural Representation and the Perspective Hinge (MIT Press)

    [0262661136]
    Delivery: 10-20 Working Days
    Customer Ratings (2 reviews)
    Price R1567.00

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Additional Information

Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice.

The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world--that is, architecture--as a poetic translation, rather than prosaic transcription, of its representations.

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Specifications

Country
USA
Binding
Paperback
EAN
9780262661133
Edition
Revised ed.
ISBN
0262661136
IsEligibleForTradeIn
1
Label
The MIT Press
Manufacturer
The MIT Press
NumberOfItems
1
NumberOfPages
526
PublicationDate
2000-08-28
Publisher
The MIT Press
Studio
The MIT Press
Most Helpful Customer Reviews

great book
Perez-Gomez wrote a very important book, the research on thearchitectural representation, and its roots, is enlightning, anddisturbing, in the sense that he pushes us to rethink our reflexes of perceptions and representation of architecture.
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