ANTI-REFLECTION MULTI-COATING – Prevents glare, ghosting, and reflections for superior image clarity. The Hoya 52mm HMC NDX4 neutral density filter features advanced multi-coated glass, ensuring sharp, high-contrast images. Perfect for DSLR and mirrorless cameras, this ND filter enhances landscape photography, video production, and controlled exposure in bright conditions.
ACHIEVE SMOOTH MOTION BLUR IN BRIGHT LIGHT – This neutral density filter enables precise shutter speed control, allowing for stunning motion blur effects in waterfalls, clouds, and moving water. Ideal for photographers shooting in bright environments with a lens that accepts 52mm filters. Works seamlessly with DSLR and mirrorless setups.
2-STOP LIGHT REDUCTION FOR PRECISE EXPOSURE CONTROL – The NDX4 camera lens filter reduces light by 2 stops, preventing overexposure while maintaining natural brightness and color balance. Ideal for shooting in direct sunlight, at the beach, or in snowy landscapes, it enhances image quality without affecting sharpness.
PREMIUM SCREW-IN DESIGN FOR A SECURE FIT – The 52mm screw-in ND filter ensures a secure and hassle-free attachment to your lens, filtering unwanted movement. Designed for professional and amateur photographers using 52mm filters. Hoya's camera lens filters enhance creative exposure control for DSLR and mirrorless cameras.
LOW-PROFILE ALUMINUM FRAME - Designed for durability and precision, the low-profile aluminum frame of our Hoya camera lens neutral density filter minimizes vignetting, making it perfect for wide-angle shots. With an integrated front thread, easily stack filters for creative effects without compromising image quality.
In conditions of extreme light intensity, such as sunshine on snowy mountains or on the beach, or when using a camcorder, ND (Neutral Density) filters are recommended as essential. Neutral Density filters are often ignored by photographers, but they have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear grey and reduce the amount of light reaching the film, they have no affect on color balance.