That the viola da gamba music of Marin Marais represents a treasure trove of expressive and technical possibilities is just reason for Paolo Pandolfos eagerly-awaited return to the composers works

Marais 1689
- Marais
- Music
- 1689
That the viola da gamba music of Marin Marais represents a treasure trove of expressive and technical possibilities is just reason for Paolo Pandolfos eagerly-awaited return to the composers works with his new Marais 1689 recording for Glossa. Pandolfos style of playing is apt for this music: meticulousness and sensitivity, and a technical strength which allows him to demonstrate the instruments versatility and gives him a sense of rare freedom. To follow a recent sequence of recordings which has seen him approach the music of Couperin and De Machy, but which also includes the PiÃ¨ces de viole by Marais teacher Sainte Colombe, Pandolfo now turns to the year 1689, when Marais (surrounded by constant arguments as to the true way of doing justice to the gamba) had published the continuo accompaniment for his earlier PiÃ¨ces Ã une et Ã deux violes this was quite a revolutionary move on the young composers part. To reflect this transition effected by Marais from the gamba being an instrument heard by itself to one operating within a chamber ensemble environment Paolo Pandolfo has chosen from this First Book works for one or two gambas, with or without continuo support, in the form of a pair of Suites and various individual pieces, including the Tombeau de Mr MÃ©liton and the rarely recorded set of variations Sujet & Diversitez.
Country USA
Brand ISBN
Manufacturer Glossa
Binding Audio CD
ItemPartNumber 25538474
Model 25538474
ReleaseDate 2016-01-29
UnitCount 1
Format CD
EANs 8424562204157

Country	USA
Brand	ISBN
Manufacturer	Glossa
Binding	Audio CD
ItemPartNumber	25538474
Model	25538474
ReleaseDate	2016-01-29
UnitCount	1
Format	CD
EANs	8424562204157

Marais 1689

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