Closed-captioned; Color; Dubbed; Anamorphic; Original recording remastered; NTSC
Network: Special Edition (Dbl DVD)
Newscaster Howard Beale has a message for those who package reports of cute puppies, movie premieres and fender benders as hard news: "I'm as mad as hell, and I'm not going to take this anymore." Sidney Lumet directs Paddy Chayefsky's satire (an Academy Award-winning* screenplay) about the things people do for love...and ratings. Three performers won Oscars.* Best Actress Faye Dunaway is the TV exec guarding ratings like a tigress protecting cubs. Best Actor Peter Finch is Beale, whose airwave rants become a phenomenon. And William Holden, Robert Duvall and Best Supporting Actress Beatrice Straight add to the fierce vitality.
Most Helpful Customer Reviews
Paddy Chayefsky's 1976 blockbuster hit "Network" is, I truly believe, the best film satire ever made. It might well be the best film regardless of genre ever made in the United States, better than "Citizen Kane," better than "The Godfather," better than any of the other numerous contenders. The first time I saw "Network" was on television about ten years ago, a supreme irony that became more and more amusing as the film progressed, and the powerhouse dialogue, performances, and set pieces captured my imagination unlike any other film. I have since watched this film so many times that at one point I could quote large chunks of dialogue verbatim with the greatest of ease. Over the past several years, however, I haven't seen Chayefsky's masterpiece as often as I would like. When I decided I would finally tackle the daunting prospect of writing a review for this movie, I rented the DVD version and resubmerged myself into the dark world of Howard Beale, Max Schumacher, Diana Christensen,...
Mr. Chayevsky has made, easily, one of the greatest contributions to the art of cinema; one that transcends mere entertainment and holds court within the realm of the social, psychological, and political. My fellow reviewers have been eloquent in pointing out the details, merits, and slight flaws within this movie.
With the exception of the brutal murder on the air, every single outrageous idea that the film is now, 30+ years later, part and parcel of standard TV programming. The most banal mediocrities, the most mindless sensationalism, the most blatant lies, are all so common on modern TV that it not only goes unnoticed, but is accepted as being good programming. Even people who know they're looking at mind destroying garbage continue to watch it!! All fo this was warned about in the movie; all of it has come to pass.
And still, we watch. We have no idea how the economy is controlled or who is making the decisions that will affect the lives of entire...
I watched Network again last night, for the first time since the film first came out. I remembered that it was a good movie with a lot of good acting, but given that the things this film predicted about television have all come true - and been surpassed in spades - I was expecting that its indignation over the commercialization of television news would seem quaint and certainly dated.
Good heavens, was I wrong. This movie hasn't lost its edge a bit in 30 years. William Holden as Max Schumacher is the only real human being, and he wanders through this film looking slack-jawed, as if he'd landed in Toon Town and can't quite believe his eyes. As it turns out, he has: the cartoonish, conniving antics of Robert Duvall and Faye Dunaway leave all of us laughing guiltily.
The screenplay emphasizes the comic-strip nature of these characters by giving them dialog that no real human being could ever utter with a straight face. The one sex scene between Dunaway and Holden is...
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