The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
These critical, theoretical, and personal essays serve as a guide to developments in nonmainstream media art during the past ten years -- sexual representation debates, documentary ethics, the shift from analog to digital media, a new social obsession with smell. Marks takes up well-known artists like experimental filmmaker Ken Jacobs and mysterious animators the Brothers Quay, and introduces groundbreaking, lesser-known film, video, and digital artists.
From this emerges a materialist theory -- an embodied, erotic relationship to art and to the world. Marks's approach leads to an appreciation of the works' mortal bodies: film's volatile emulsion, video's fragile magnetic base, crash-prone Net art; it also offers a productive alternative to the popular understanding of digital media as "virtual" and immaterial. Weaving a continuous fabric from philosophy, fiction, science, dreams, and intimate experience, Touch opens a new world of art media to readers.
| Country | USA |
| Brand | University of Minnesota Press |
| Manufacturer | Univ Of Minnesota Press |
| Binding | Paperback |
| ReleaseDate | 2002-11-01 |
| UnitCount | 1 |
| UPCs | 884592989529 |
| EANs | 0884592989529 |