☰

Arts & Photography

Performing Arts

History & Criticism

White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and American Theater

Sold Out / Out of Stock

White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and American Theater
- Used Book in Good Condition
In August 1821, William Brown, a free man of color and a retired ship's steward, opened a pleasure garden on Manhattan's West Side. It catered to black New Yorkers, who were barred admittance to whites-only venues offering drama, music, and refreshment. Over the following two years, Brown expanded his enterprises, founding a series of theaters that featured African Americans playing a range of roles unprecedented on the American stage and that drew increasingly integrated audiences.

Marvin McAllister explores Brown's pioneering career and reveals how each of Brown's ventures--the African Grove, the Minor Theatre, the American Theatre, and the African Company--explicitly cultivated an intercultural, multiracial environment. He also investigates the negative white reactions, verbal and physical, that led to Brown's managerial retirement in 1823.

Brown left his mark on American theater by shaping the careers of his performers and creating new genres of performance. Beyond that legacy, says McAllister, this nearly forgotten theatrical innovator offered a blueprint for a truly inclusive national theater.

Country	USA
Brand	University of North Carolina Press
Manufacturer	The University of North Carolina Press
Binding	Paperback
PartNumber	notes, bibliography, index
Height	9.25
Length	6.12
Weight	0.80027801106
Width	0.57
NumberOfItems	1
ReleaseDate	0000-00-00

You might also like...

Disidentifications: Queers Of Color And The Performance Of Politics (Cultural Studies of the Americas)

Disidentifications: Queers Of Color And The Performance Of Politics (Cultural Studies of the Americas)

Babylon Girls: Black Women Performers and the Shaping of the Modern

Babylon Girls: Black Women Performers and the Shaping of the Modern

The Jamaican Stage, 1655-1900: Profile of a Colonial Theatre

The Stage Life of Props (Theater: Theory/Text/Performance)

The Stage Life of Props (Theater: Theory/Text/Performance)

Embodied Avatars: Genealogies of Black Feminist Art and Performance (Sexual Cultures)

Embodied Avatars: Genealogies of Black Feminist Art and Performance (Sexual Cultures)